At a media event in New York City last week, I spent several hours with the new Fujifilm X-T5, and I came away with some interesting first impressions. The camera is a lot better, but not necessarily because of the specs. [Read More]
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Reports around upcoming Fujifilm cameras and lenses are plenty. From the GFX 100RF to a panorama camera to even the launch of the much-awaited X Pro 4, we come across reports that build up our excitement.
Merriam-Webster defines “retro” as “fashionably nostalgic or old-fashioned.” With the rise in popularity of shooting on film over the past few years and the extraordinary success of instant cameras among the general populace, I think it is fair to say that retro cameras are likewise lusted after by many. [Read More]
"The X70 is a very different camera from the X100V," says photographer Kevin Mullins to the Phoblographer in an interview. "Its heuristics lend themselves to being very stealthy, and its unique focal length makes it excellent to shoot with to get great context and storytelling in a photograph.
This is a review I've been purposely sitting on since I finished working with the unit in January. Since then, I've had to better understand my own feelings on the Fujifilm 30mm f2. 8 Macro R WR. If you go online in forums and groups, you'll find that lots of folks swear by this lens.
Right now the Fujifilm XT4 has a discount ever since the XT5 was announced. Don't need the extra scene detection AI features or 40MP? Well, the XT4 is the better choice then. And in our tests, we found the XT4 to even have better autofocus.
"Well, what's left?" a Fujifilm rep asked me recently when I inquired about more film simulations. And truth be told, there's still a lot that can be done. But when I tested another product recently, I got a hint about something that could occur.