Photographing the moon can be spectacular—a rising full moon looks very big and is often red. And combining a spectacular moonrise shot with landscapes or objects in close-up can give really great results.
For close ups you obviously need a long lens. 150-600+ is recommended. For my own shots I have used the Sony A7RII […]. petapixel.com
As a multidisciplinary creative, I was brought on by Craghoppers UK a couple of years ago to help execute a brand refresh. The brand’s look and feel had lost its consistency, so my role was to realign its identity.
For starters, I love the fast-paced John Wick series, and I think that Keanu Reeves is just a badass in general. Now I don’t use this word often, but everything about these movies is pure cinematic gold — the lighting, composition, camera movement, etc.
I recently made a ten-day timelapse video on two smartphone cameras of my hometown of Manhattan Beach, California, for multiple sunsets, moonrises, flowing clouds, and all sorts of stuff the naked eye rarely gets to see. [Read More]
While cleaning one of my camera sensors, I noticed my incredibly pocketable and convenient 12mm f/2. 0 Olympus lens developed a fatal flaw. A rather large reflective fragment became dislodged inside the lens and was robbing me of precious photons.
I had the Mamiya RB67 and Pentax 67 on my medium-format wanted list for many years now, but I simply could not justify the price tag or bear the unfortunate realization that either camera would sit lonely and unused on a shelf.
As creatives, more specifically as a photographer and filmmaker, we tend to get gigs all over the city. From big production to small, low-budget clients, our commute can be taxing, especially with increased gas prices. [Read More]
"Flambient" real estate photography involves combining flash and ambient light for beautiful, high-end results. In this article, I will show how you can capture great real estate images using high dynamic range (HDR) and flash techniques. [Read More]