I've dragged my feet on writing this lens review for a few reasons. When I originally used it, I didn't feel like the Tamron 70-180mm f2. 8 G2 was doing anything majorly different. Sure, they added image stabilization, and it's the only type of its kind on the market.
Irix is adding Fujifilm X-mount support to its line of seven cinema lenses. Now expanded to eight supports lens mounts, Fujifilm X joins Canon EF, Canon RF, L-mount, MFT, Nikon Z, PL-mount, and Sony E. [Read More]
7Artisans has announced a new large-aperture prime lens for the Leica M Mount, the M35mm f/2 Mark II, an updated model of its previous 35mm f/2 for Leica rangefinders that has since been discontinued. [Read More]
There are some Canon EF lenses that should really make a comeback in the RF lens format. While for the past couple of years, they've trailed behind much of the competition, they were still good. Now that every lens manufacturer makes the same lenses though, it's time for something different.
Back in the DSLR days, manufacturers like Samyang/Rokinon would represent the very low end of the lens market. They were all manual focus and if we are being honest, the build quality was nothing to write home about.
There are a few announcements today at the Fujifilm X summit. And two of the bigger ones have to do with the new Fujifilm zoom lenses. Today, we're getting two new zoom lenses from Fujifilm. The company is announcing their 150-600mm f5.
If you've been following along with the Fujifilm X summit, you probably know about some exciting news. For many of us, the XH2s probably isn't worth talking about. Instead, the Fujifilm 56mm f1. 2 is getting a revamp.
One would think that a more expensive lens would outdo a cheaper lens. I mean, for the most part, that's absolutely true. There are lots of big factors to take into consideration with lenses. There's autofocus, image quality, weather sealing, and other tech.
We're always saying that the photo world is very sterile when it comes to lenses and image quality. But lucky for you all, there's hope! The folks at Lensbaby have savings on their lenses and accessories.
Leica M mount lenses are often scoffed at because of the prices. But folks genuinely don't understand them. There are loads of great reasons why you'd buy an actual Leica lens. However, if you're dipping your toes into the M mount system, consider some of these.
The Canon EOS R is a camera that I still use pretty often. Thumbing the D-Pad to choose an autofocus point isn't all that awful. But best of all, it's lightweight, weather-sealed, and can focus just as well as the Canon EOS R5 in most situations.
The current state of photography and camera gear is in an incredibly odd place. It's dictated by folks who spent the last 20 years or so getting to a spot of clinical perfection. But they're trying to find a way to target and understand the younger photography market.
The Fujifilm Instax Mini 40 is another camera from Fujifilm that shoots the Mini film format and doesn’t do much else. Sometimes I really scratch my head at Fujifilm’s cameras. The Fujifilm Instax Mini 40 is a great example of this.
Over on Amazon, KEH is selling the Fujifilm GFX 50R. Granted, it's used, and rated to still be in good condition. But you'll have the camera for sure! Head on over to this Amazon listing. You'll see that the default is being served by Adorama.
Time and time again, this site has been very pleased with Canon's newest gear. They've seriously done a fantastic job and found ways to stay on the cutting edge. Their gear can be pricey or hard to come by though.
Someone out there will tell you that they're thinking about buying a Leica. What they typically mean by this is a Leica M camera. The Leica M camera isn't necessarily for the photographer that has a lot of money.
Landscape photographer Mads Peter Iversen swears by his 24-105mm f/4 lenses. While many landscape shooters prefer ultra-wide angle lenses in the 14-24mm range, or will opt for a 24-70mm mid-range zoom, Iversen believes a 24-105 is the better choice.
To say that the Lensbaby Burnside 35mm f2. 8 lens is an unusual lens would be an understatement. In an age where many photographers focus heavily on the speed at which the latest cameras and lenses can track and maintain focus on a subject, and whether or not the images produced are tack sharp from corner to corner, it’s nice to be reminded of the joys and challenges that come with photographing with manual equipment.
The Nikkei Asian Review has posted a great article on why Canon will remain relevant during the smartphone photography revolution, and it’s simply because their vast an exception catalog of lenses all 93 EF mount lenses.
Ilford Delta 3200 is a black and white film that could be perfect for photographers shooting concerts, street photography at night, or anything that requires you to shoot in near darkness like a wedding reception.
Automation makes manufacturing at home more competitive TOKYO — Canon plans to have a new camera plant in Japan up and running by 2019 as it moves more production back home, relying on factory automation to lower the cost of domestic operations.
The Sigma 135mm F1.8 DG HSM | Art lens has won the “EISA European DSLR Lens 2017-2018” award.
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MTF Services have designed brand new solutions to convert the new FujinonMK lenses to Micro Four Thirds and FZ mount systems.
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More than 100 years after the Emil Busch Glaukar 3.1 was introduced, two top German photographers have reinvented this classic as a modern portrait lens. Read more and comment »
Nikon have announced a full-frame version of their AF-P 70-300mm ED VR lens.
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Sigma have unveiled pricing and availability for the new Sigma 24-70mm F2.8 DG OS HSM | Art.lens.
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When it comes to really long lenses, there’s probably a chance that we wouldn’t really review them. The reason for this is because of our audience doesn’t really use them. But if you’re curious, a while back, we were using the Tamron SP 150-600mm Di VC USD G2 Lens. So we’ve added some extended first impressions
Lomography today announced the addition of a new additional focal length to the Neptune Convertible Art Lens system.
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Fujifilm will release the FujinonMK50-135mm T2.9 telephoto zoom cinema lens in July 2017.
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Nikon today introduced a new fisheye zoom for DSLR cameras with FX size sensors.
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Sony today unveiled two new full-frame wide zoom lenses for their E-mount cameras.
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The Fujinon GF 110mm F2 R LM WR is a new medium telephoto lens for the Fujifilm GFX 50S 43.8
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Fujifilm today announced that it will release the dust- and weather-resistant Fujinon GF 23 mmF4 R LM WR medium-format lens in June. Read more and comment »
The Canon EF-S 35mm f/2.8 Macro IS STM is a stabilised macro lens with built-in LED lights.
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Zeiss have added a new full-frame telephoto lens to their Batis lens family.
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Meyer-Optik has announced that its new lens, the Trioplan 35+, will be available in five different colours.
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Sigma Corporation of America today revealed availability and pricing details for its 135mm F1.8 DG HSM Art lens (pictured).
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Venus Optics today released a video promoting the Sony version of the Laowa 15mm f/2 FE Zero-D lens.
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Ricoh has announced the development of a new 50mm lens for Pentax K-mount cameras.
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The revamped Sigma 24-70mm F2.8 DG HSM OS Art is a new stabilised standard zoom for full-frame cameras.
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The Tamron 10-24mm F/3.5-4.5 Di II VC HLD is a new ultra-wide-angle zoom lens for APS-C DSLR cameras.
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The Tamron SP 70-200mm F/2.8 Di VC USD G2 is a new full-frame telephoto zoom lens with an all-new optical design and “dramatically faster” AF speed. Read more and comment »
Lomography’s new Daguerreotype Achromat 2.9/64 Art lens is now available for regular purchase.
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If you, like me, are prone to idly perusing the catalogs of your favorite camera store searching for the next bit of kit to add to your collection, you’ve probably stumbled into the “Professional Video” section and been absolutely bowled over by how much money one can spend on literally anything in this category. [Read More]
Fujifilm has announced two new lenses for its X Series line of mirrorless cameras: an XF 200mm f/2 OIS telephoto lens and an 8-16mm f/2. 8 ultra-wide-angle zoom lens. There’s also a new 1. 4X teleconverter.
Meike have unveiled the MK-85mm f/2.8 Macro lens for Canon, Nikon and Sony cameras.
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Just a few days after a similar announcement by Sigma UK, Sigma Corporation of America has revealed pricing for the Sigma 14mm T2 FF and 135mm T2 FF Cine Prime lenses. Read more and comment »
The Tamron SP 24-70mm F/2.8 Di VC USD G2 is a brand new professional zoom lens for full-frame cameras.
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Lensbaby’s new Velvet 85 lens is now available for preorder.
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Sigma have announced pricing and availability for their 14mm F1.8 DG HSM | Art lens.
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The Tamron 18-400mm F/3.5-6.3 Di II VC HLD is the World’s first 22.2x all-in-one zoom lens for APS-C DSLR cameras.
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Zeiss have launched a new lens for full-frame DSLR cameras from Canon and Nikon - the Zeiss Milvus 1.4/35.
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The Nikon AF-P DX Nikkor 10–20mm f/4.5-5.6G VR is a new, stabilised UWA zoom for DSLRs with DX size sensors.
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Listening to requests and inquiries from their customers, TH Swiss today released updated correction profiles for their Irix 11mm and 15mm lenses to use with Adobe Photoshop Lightroom. Read more and comment »
The Lomographic Society has announced the Neptune Convertible Art Lens System.
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Samyang today unveiled a new addition to their VDSLR lens line-up.
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Canon U.S.A. today announced their new Compact-Servo 70-200mm Telephoto Zoom Lens (also known as the CN-E 70-200mm T4.4 L IS KAS S), a compact and lightweight 4K lens designed for professional videographers. Read more and comment »
The Sigma CINE 14mm T2 FF High Speed Prime is a new full-frame UWA lens aimed at professional cinematographers.
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We all have to start somewhere. For most of us, that means a basic DSLR or mirrorless camera kit with a compact, handy general-purpose zoom lens. Undoubtedly, we can't wait to ditch our basic kit lens for something faster or more versatile.
DZOFilm has announced the Gnosis VV macro line of cinema lenses that it says are designed for cinematic closeups and capturing details with clarity and sharpness. [Read More]
Most the time when I am out doing landscape photography, I have a Canon EF 16-35mm f/4L IS and Canon EF 70-200mm f/4L IS with me. On road trips, I try to bring my Canon EF 100-400mm f/4.5-5.6L IS II — it’s a fantastic lens with great image stabilization and impressive image quality. Unfortunately, it […]
Venus Optics have announced the World’s widest rectilinear f/2 native lens for Sony full frame E-mount cameras, the Laowa 15mm f/2 FE Zero-D. Read more and comment »
The Lomographic Society has launched the Daguerreotype Achromat 2.9/64 Art Lens Brass, Chrome Plated edition.
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German lens maker Meyer-Optik-Goerlitz has launched a Kickstarter campaign to bring the historic Lydith 30mm f/3.5 art lens back to life. Read more and comment »
The Samyang AF 35mm F2.8 FE is a new full-frame auto focus lens for Sony’s E-mount compact system cameras.
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The Nikon AF-S Nikkor 28mm f/1.4E ED is a new “Gold Ring” wide-angle prime for Nikon DSLR cameras with FX size sensors.
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The Laowa 7.5mm f/2 MFT is the World’s widest rectilinear f/2 lens for Micro Four Thirds cameras.
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Sigma today announced the development of a new full-frame CINE lens, the 135mm T2 FF High Speed Prime.
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