I’ve been experimenting non-stop with a few new daguerreotype techniques lately, and however promising the results are looking so far, those experiments are slow going. But here’s something I thought up and was able to execute in a relatively speedy manner — something I believe warrants a look. I don’t believe this method of making […]
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When it comes to camera’s they can come in all shapes and sizes. I want to tell the story of this little, as I call it “Klein Special”, wood box wet plate camera made by my good friend Kevin Klein in Valley City, North Dakota.
The tattooed man arrived at the photographer’s right on time, a walking gallery of living art in vibrant blues, greens, and reds imprinted all over his face and neck.
Introduced at the beginning of the 20th century, autochromes were the very first form of color photography until it was comprehensively replaced by film in the mid-1900s.
Years ago, photographer Markus Hofstaetter purchased a 140mm f/1.0 lens designed for projectors. He recently found the right opportunity to pair this unusual lens with an ultra-large format camera. [Read More]
Photographer Matt Alberts used an antiquated wet plate tintype camera to cover the modern world of freeride motocross.
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Photographer Bill Hao from Vancouver, Canada, spent two years building a huge oakwood camera. It shoots gigantic wet plate collodion photos measuring 32x48 inches. [Read More]
It hasn’t been easy being a portrait photographer during a pandemic. I opened my tintype portrait studio in February of 2020 with visions of goofy vintage photo remakes and smiling families gracing my lens.