In the previous essay, I made an argument that photographs (and things that are like photographs) metaphorically transport us into the scene of the photo. We react, body and mind, a little bit as if we were actually present.
In these current notes, I want to think about what it means to consent to be […]. petapixel.com
At a recent electronic music performance, the English duo Rob Brown and Sean Booth, who perform as Autechre, plunged Sydney’s City Recital Hall into darkness. [Read More]
Over the last month, communities around the world have felt passionate responses to the developing conflict in Israel, Gaza, and surrounding areas. As simple or complex as one might find the hostilities in the abstract the ripples of geopolitics affect us all, sometimes very obviously, and sometimes subtly. [Read More]
AI is all the buzz and it seems to be attaching itself to everything, everywhere, all at once. The canary in the AI coal mine? Images and writing. [Read More]
The context and process behind a photograph can be interesting on a technical level when it comes to the gear, film, lighting setup, and any artistic emotion or guidance that may have gone into it from a photographer with an interesting backstory to them. [Read More]
It’s difficult to see how anyone other than the photographer is responsible for a photograph they may take, although I’m sure there are some specific exceptions – but usually, if a photographer is not responsible for their photograph, then who should be? [Read More]
If you are not responsible for the meaning behind your photographs then who is?
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I recently wrote about the importance of discourse on the ethics around photography, where I offered my perspective on why rules and doctrines around decision making can diminish your ability to stand behind your work, justify your decisions, and really take responsibility and ownership over your vision. [Read More]