For the most part, cameras these days can do everything you want and need if you're shooting stills. The majority of photographers who do work with their cameras photograph people. And the ideology for years has been the archaic thoughts that often come around all the way from the film days.
The colors on the Nikon Z line feel very similar to the company’s DSLRs. Which is to say that the colors are often good, but sometimes need to pull the white balance away from the greens. The latest firmware for the Nikon Z7 II aims to help fix the occasional green skin tones with something the company is calling Portrait Impression Balance.
I cut my teeth in the photography world amongst some really old school people--these were the folks who probably would have never used Kodak Portra 800. Why? Well, they swore by the fact that everything that is over ISO 400 is way too grainy.
Of all the color negative films that Lomography sells, my consistent favorite has to be Lomography Color Negative 800. As the company's highest ISO color negative film, you should expect to get good colors and some amazingly warm skin tones if you're into that sort of thing.
We love a good party and when we found out that the Portra line is about to celebrate its twentieth birthday next year (introduced in 1998!), we thought we would take the time to cover some ground (and after, perhaps raise a glass) when it comes to Kodak’s Portra line.
One of the things that a lot of people don't understand about portraits is this: when you're photographing a person they are the absolute bigger priority in the image. Even in environmental portraiture, their environment is important but the primary object is still the person that you're photographing.