Late last year when Fujifilm announced that it was putting the sensor found in its GFX 100 II into a cinema camera, I was not clear on the value proposition. While huge, the slow sensor didn't feel suited to movie-making.
After spending some time with the camera yesterday, however, I'm starting to see the vision.
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Last week, Chris Niccolls and I were in Prague for the launch of the Fujifilm GFX100RF. While he spent the majority of our time with the new camera while I filmed his thoughts, I did enjoy several hours with it snapping photos of my own.
Late last night, OM System announced the OM-3. It costs $2,000... for now. I expect that will change very soon because I've been conditioned by the company to believe so. [Read More]
2025 has so far proved to be the year of comebacks. Point-and-shoot compacts are flying off shelves faster than camera stores can restock them. But there could be another resurgence set to occur, and this one has flown well under the radar: camcorders. [Read More]
Think "action camera," and visions of snowboarders recording their high-adrenaline run down a slope spring to mind, and with good reason. Action cameras have unlocked new creative options for those wanting to capture their active pursuits on film.
Black Friday and Cyber Monday offered many deals for photographers looking to upgrade their equipment while saving a few dollars in the process. Typically, this online promotion on steroids allows brands and camera store chains to push stock that has been on the shelves for a couple of years and is likely to be superseded by newer models over the coming months.
In this industry, perception matters -- a lot. Side by side, spec for spec, the Canon R1 is obviously improved versus the R3 but not to the degree that feels like an entirely different camera line. [Read More]