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The Best! Tamron 17-70mm F2.8 Di III-A VC RXD Review

When the Tamron 17-70mm F2. 8 Di III-A VC RXD was announced, I immediately questioned the name. I mean, why would you have such a long name? No one will remember it! And it's terrible for SEO! But that aside, it proved to be a fantastic lens.

Do You Think We’re Ever Going to See The Canon G1x Mk IV?

There is one compact camera that I constantly find myself drooling over. That camera is the Canon G1x Mk III. Somehow or another, Canon made an almost perfect high-end compact camera. But in typical Canon ways of old, they found a way to slap consumers in the face.

The Tamron 17-70mm F2.8 Di III-A Really Excites Me

Many of you probably don't know about one of Tamron's coolest lenses. But the new Tamron 17-70mm F2. 8 Di III-A reminds me so much of it. I'm talking about the ancient Tamron 28-105mm f2. 8 lens.

Plain Milk in a Chocolate Milk Bottle. Nikon Z5 Review

You're probably wondering why all these camera reviews sound the same. Well, quite frankly, we're wondering why all these cameras are the same! For as good as the Nikon Z5 is, it should've been released years ago.

The First 50mm Lenses Every New Photographer Should Get

I'll be the first to admit that I'm not the biggest fan of 50mm lenses. Sometimes they're too long. Sometimes they're too short. But no matter what, they'll all take great pictures. And if you're new to photography, you'll probably enjoy your new zoom kit lens.

Endless Fun! Solid Quality! Samyang XP 10mm f3.5 Review

At first, I thought that the Samyang XP 10mm f3. 5 would be very difficult to use. But then I went about photo walking--and it became second nature. The world suddenly became a bit more magical. Good cameras and lenses fo that for you.

Can You Believe the Quality? Samyang 75mm f1.8 AF Review

I need to preface this review of the Samyang 75mm f1. 8 AF by saying that we didn't test it on the newest cameras. We've done this for years. We, like you, don't always have a justification for upgrading cameras every generation.

The Fujifilm 10-24mm F4 R OIS WR Looks So Tempting

If you weren't already in love with Fujifilm's lenses, then the Fujifilm 10-24mm F4 R OIS WR will give you a major reason to be. Just imagine it: a weather-sealed wide-angle zoom lens with Fujifilm Velvia.

LensRentals Finds the Canon RF 600mm F11 Is an Unusual Lens

Ever heard of a Reflex lens? Well, in some ways, the new Canon RF 600mm f11 is built like one. It has a fixed f11 aperture just like many of those reflex/mirror lenses from way back in the day. LensRentals decided to take the new Canon RF 600mm f11 apart and see what's inside.

LensRentals Finds the Canon RF 600mm f11 Is an Unusual Lens

Ever heard of a Reflex lens? Well, in some ways, the new Canon RF 600mm f11 is built like one. It has a fixed f11 aperture just like many of those reflex/mirror lenses from way back in the day. LensRentals decided to take the new Canon RF 600mm f11 apart and see what's inside.

The Canon EOS R5 at ISO 25,600 and ISO 51,200 Is Mind Blowing

The Canon EOS R5 is in for review right now, and we decided to not only do our token durability test, but to also show you all how it does at high ISO settings. The Canon EOS R5 is the closest thing that we've got to a mirrorless version of the Canon 5D series of cameras.

The Canon EOS R5 at ISO 25,600 and ISO 51,200 is Mind Blowing

The Canon EOS R5 is in for review right now, and we decided to not only do our token durability test, but to also show you all how it does at high ISO settings. The Canon EOS R5 is the closest thing that we've got to a mirrorless version of the Canon 5D series of cameras.

Fujifilm 16-80mm F4 R WR OIS Video Review: (We Love it!)

For a long time, the only standard zooms for Fujifilm X mount shooters covering wide to medium telephoto focal lengths were the 16-55mm f2. 8 R LM WR and the 18-55mm f2. 8-4 R LM OIS. You either had to pick weather resistance and a bright, constant maximum aperture, or sacrifice them in favor of optical image stabilization and variable maximum aperture.

Weather Tested: The Best Sony Cameras to Use in the Rain or Snow

Weather sealed cameras give photographers so many advantages over cameras that aren't sealed in any way. First of all, you can go and shoot in a myriad of conditions without having to worry about your gear (as long as you use weather sealed lenses too), this in itself means you will be able to get shots others with non-weather sealed cameras would miss.

Video: Fujifilm X100V Review on Pro Camera Reviews

The Fujifilm X100V is an excellent camera and nearly perfect in comparison to many others out there. The Fujifilm X100V is one of the hottest cameras this year. And we’ve finished our long-form written review.

A Fantastic Portrait Lens: The Leica SL 50mm F1.4 Summilux Review

I need to begin this review by telling you all how long I'd been lusting to test the Leica SL 50mm f1. 4 Summilux. Three years ago, I wrote this article about Jarle Hagan's documentary portraiture of Norway's Sami – a protected indigenous people and the most northern dwelling indigenous people in Europe.

The Big City Lens: The Panasonic 16-35mm F4 PRO Review

When we called the Panasonic 16-35mm f4 PRO in for review, we were pretty excited. Panasonic has done a positively stellar job of designing lenses for the L mount system. But when looking at prices, I was scratching my head.

We MAY Have Broken the Olympus OMD EM1 Mk III…Just Kidding

We have this running thing that we do with the most robust Olympus cameras: we abuse them. They're designed to do so, and photographers who buy them often put them through rough usage. Previously we stress-tested the OMD EM1 and the OMD EM1 Mk II.

Review: Nikon Z 85mm F1.8 (A Beautiful Lens in So Many Ways)

Portrait photographers that work in a studio are going to adore the Nikon Z 85mm f1. 8. I have to admit that every time a Nikon unit came in for review, I sort of sighed. We often get these great lenses in that are stellar all around but limited only by a questionably archaic and perplexing camera system.

The Most Rugged, Weather Sealed Cameras and Lenses (2019)

Whether or not you realize it, your camera takes wear and tear every day. Even if you treat it like an egg, it's going to take a beating of some sort. Luckily, there are cameras and lenses that handle human stupidity better than others.

Review: Canon RF 24-70mm F2.8 L IS USM (This Lens Will Grow on You)

Every camera system is pretty much made or broken by the quality of their 24-70mm lenses, and the Canon RF 24-70mm f2. 8 L IS USM is one that solidifies to us that the RF system is a solid one. Not only will photojournalists really appreciate the autofocus speed and image quality, but they'll also like the build quality.

Review: Canon RF 85mm F1.2 L USM (Canon RF Mount)

One of Canon's biggest strengths has always been their ability to create consistently excellent lenses targetted at professionals, and the Canon RF 85mm f1. 2 L USM is no exception. With their RF Mount system, Canon has chosen to tackle the Full Frame Mirrorless market from the complete opposite direction as Sony did.

Review: Sigma 14-24mm F2.8 DG DN Art (The Colors Are a Dream)

If you were to spring for one wide-angle zoom lens with a fast aperture on the market, then chances are that you'd go for the Sigma 14-24mm f2. 8 DG DN Art. Sigma is arguably the best lens maker of our time even if you need to lift weights to use them.

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