One of the most effective ways to fill a frame with information is to layer elements of your composition, either in two dimensions along the X and Y axis or in three with the Z axis. When it comes to conveying narrative or communicating visual data, this layering is a great way to incorporate multiple […]
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Sony announced the 300mm f/2. 8 G Master OSS, a new $5,999 telephoto prime that simultaneously promises new heights for image quality while also becoming the lightest lens in its class.
Early last month, Tamron announced that it was developing a second-generation 70-180mm f/2.8 telephoto zoom lens for Sony E-mount. Today, Tamron has revealed new details about the zoom lens, including its release date and price. [Read More]
Photographer Nina Wolfe shoots gorgeous photos using forced perspective to show the Moon illusion, the optical illusion that causes the Moon to look much larger when it's closer to the horizon than when it's higher in the sky. [Read More]
Irix has announced a second version of its 150mm T3.0 cinema lens called the 150mm T3.0 Tele. It doesn't replace the previous version, but makes it more usable for a wider audience by improving the focus and aperture range and removing the macro designation. [Read More]
At first glance, the Tamron 50-400mm f/4. 5-6. 3 Di III VC VXD seems like Frankenstein’s monster of lenses. Super-telephoto lenses that provide a relatively wide focal length are uncommon and generally awful.
During his trip to Kauai, one of the many islands in the Hawaiian archipelago, photographer Michael Shainblum captured his journey using a mix of wide-angle and telephoto lenses, making the most of the diverse natural beauty of the area. [Read More]
Samyang has announced that it has reimagined its manual focus 135mm f/2 telephoto lens that it launched in 2015 as a new and improved autofocus version, the AF 135mm f/1.