This is one of the first steps that we're going to teach in our Food Photography workshop later on this month. It involves lighting your food in a different way and is just the first step involved with making your food photos look great.
More importantly though, this is a piece of information that you're going to learn and that will help you make better lighting decisions every time. . thephoblographer.com
Hey folks, Today is the day! You can join us for an absolutely amazing food photography workshop in Brooklyn later. Afterwards, attendees get a $50 dinner. All the details are right here! thephoblographer.com »
2016-12-19 18:08
The other day, I was listening to On Taking Pictures, which was my favorite podcast that recently returned. And on this show, photographer Bill Wadman talked about how photographers at the Eddie Adams workshop shoot portraits at around 20 frames a second or so these days.
15 years ago, photo workshops were not yet a thing. You could sign up for a photo excursion on a cruise ship or other tour for which you had no instruction, but dedicated, stand-alone photo workshops were not really prevalent until around 10 years ago.
15 years ago, photo workshops were not yet a thing. You could sign up for a photo excursion on a cruise ship or other tour for which you had no instruction, but dedicated, stand-alone photo workshops were not really prevalent until around 10 years ago.
"I had some big issues in my life that I needed to process, and photography was a way for me to do that," explains fine art photographer Jennifer McClure. "I didn’t set out to work in fine art, but I am happy that I landed here.
Leica Akademie UK has announced the launch of its Leica Lab program which is set to offer an exclusive learning experience provided by industry experts with backgrounds in commissioning, shooting, editing, and curating work.
The longer I've worked in the photo industry, the more I've been able to see photos within a photographer's portfolio and put together a scene. Lots of photographers use images from workshops and tradeshows in their portfolio.
One of the biggest things that I think that any and every photographer needs to keep in their mind is that you always need consent to touch a model or move a subject; and Jerry Ghionis is the master of showing you how to do this.