While it would prefer that filmmakers remember the advantages of RF-mount, speaking exclusively to PetaPixel, Canon is looking on the bright side of Nikon's acquisition of RED Cinema, [Read More]
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It’s felt like a long six months since Sigma first announced the Aizu Primes (which cost $8,300 each), the company's new series of full-frame compatible T1. 3 cinema lenses.
Anamorphic lenses are a regular part of many cinematographers' kits, especially as new anamorphic lenses become more affordable and more cameras include more video recording features that help anamorphic optics shine.
Last week, reports surfaced that showed the company was closing two facilities, both of which primarily focused on producing lighting equipment. An Arri spokesperson has denied that Arri is exiting lighting manufacturing, but did not comment on any reductions in manufacturing capability. [Read More]
Earlier this week, Arri announced that it would be closing two facilities, both of which were focused on lighting production. Seeing Arri significantly reduce or outright exit the lighting industry makes a lot of sense if it wants to get acquired. [Read More]
Celebrated photographer and veteran astronaut Don Pettit does a wide range of science experiments when he's in space, often documenting them with his Nikon cameras.
In National Geographic's new documentary, Chris Hemsworth: A Road Trip to Remember, filmmakers follow the world-famous actor as he connects with his father, who has Alzheimer's, on a therapeutic "road trip back in time." [Read More]
Arri, one of the biggest brands in all of digital cinema, launched a new tool that aims to make digital video look more analog. Arri Film Lab is an OpenFX plugin that integrates into industry-standard color grading workflows and gives filmmakers and editors creative tools to make their digital videos, regardless of what camera they used, look like they were shot on film. [Read More]