The difference between a good landscape photo and an extraordinary one often comes down to one thing: Light. And there's a magical window of time, called the Blue Hour, that offers some of the most atmospheric, cinematic light in landscape photography.
However, many photographers overlook or struggle to fully capture its unique potential.
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The beauty of the Arctic is overwhelming. The biting cold and the pristine silence is punctuated by occasional extraordinary sounds, as the glacier ice creaks and falls.
What is the most common compositional rule in photography? Most likely your answer is the rule of thirds. Undoubtedly, this is a very powerful technique to compose an appealing photograph, but is it the only way? Of course not. [Read More]
My first foray into aerial photography using a drone left a lot to be desired, to say the least. The DJI Phantom 2 Vision that I first used back in 2014 was a chunky, clunky beast with photo and video capabilities that pale in comparison to today’s offerings. In other words, using that drone for […]
In my previous article, I walked you through the making of one of my signature photographs, Fallen Sequoias, exposed in 1977. I’ve decided to use the same process in the creation of another image, made 20 years later, on a one-day hike with two friends in 1997.
Freeman Patterson is a storied photographer, teacher, and author. After teaching seminars for groups as large as 4,000 and putting together a number of photography books, he shares some insights into the process he has been intimately close to for years.
The “purple mountain majesties” which Katharine Lee Bates reflected on when writing the words of America the Beautiful, would likely be unrecognizable to her today. Humankind appears intent on consuming all of what was a seemingly endless landscape in Bates’ day.