To create street photography with impact, one of the proven methods is to go dangerously close to the subjects. David Gleave, a Licentiatesship distinction holder in the prestigious Royal Photographic Society (RPS) adopted the "in your face" approach in his street photography work.
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It hit me when being a few feet away from him and hearing his conversations: there will soon be a day that the world loses incredible photographers like Jamel Shabazz. Jamel is part of a breed of photographer that is disappearing -- he's a personable photographer who can speak with people and that puts them before the idea of taking pictures.
"Action, emotion, mystery, and/or a story," says Sean Fryxell to the Phoblographer in an interview when asked about what he looks for in good street photography. "Street photography is extraordinarily difficult because not all actions and stories translate immediately well into a picture.
Arlene Gottfried was a striking street photographer of 1970s and 1980s New York City, when Times Square was more gritty than it was Disney, to say the least. The archive of her work amounts to hundreds of boxes of film which her family is working to preserve. [Read More]
Stare at the lead image of this article. If you're looking at the image above and not having your mind make so many different associations, you're probably not very in tune with what's going on. It's almost impossible to not see the irony.
Photographer Joel Meyerowitz has a brand new exhibit that photographers won't want to miss -- and that many may even take for granted. In the artistic sense, color photography never used to be taken very seriously.
The Nikon Zf was worth the wait. And the company picked the best time to launch it: amidst the monotony and boring features that every other manufacturer has been producing. All cameras feel the same.
If I had a week, I still wouldn't have enough time to elucidate why the Nikon Zf is the company's most perfect camera to date. I could start with how it appeals to your emotional and sensory availability as a photographer and how the tool is an inherent part of it, but that's not what we're here to discuss.