Being a participant of the Carnival in the street blocks for over 20 years, I created a project called Humanos do Carnaval (Humans of Carnival), and for 5 years, I have been taking portraits.
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There's a problem with street photography that I think that many don't understand: it's not necessarily photojournalism. However, because of the lack of standardization in the field, it results in lots of different ethical conflicts.
When one talks about street photography, the first few images that come to one's mind are a place that is crowded with people. The Dutch angle or the slow shutter is a technique that has really helped people to tell a story from the streets.
hotographers. These days, if you wanted to see more of a photographer's work, you'd follow the vernacular around linking up w
Larry Fink is a name synonymous with street photography and candid documentary portraiture, which has left an indelible mark on visual storytelling. For over half a century, his work has captured the essence of American life across diverse communities and social strata.
I, like many of you, dream of beautiful lenses that have image quality dripping with nice bokeh. And in so many ways, the Nikon 35mm f1. 2 Z S lens is capable of doing exactly that. With a bright f1.
"I’m aware that my images could easily blend into the vast sea of work out there," says photographer Lorenzo Grifantini about the democratization of street photography. "But what keeps me going—and keeps my enthusiasm alive—is the personal question of whether what I’m creating feels meaningful to me," he explains.
There are images where you'll always wonder what's going on. And really, these are some of the most powerful photographs you can make. In fact, it's a big part of photojournalism. If you didn't know about what 9/11 was, for example, you'd find David Handschuh's award winning image to be rather ambiguous.