Ahead of the 2017 Camera & Photo Imaging Show (CP+) set to start February 23rd, some eagle-eyed Pentax fans snagged a “hidden” page on Ricoh’s website showcasing a new reference product that will be unveiled at the show.
The site (translated from Japanese) notes a new lens that is currently in development with a tentative. thephoblographer.com
Panasonic has added two more zoom lenses to its full-frame L-mount roadmap: a large aperture standard zoom and an ultra-telephoto zoom. [Read More]
Capture One has shared its development roadmap for the remainder of 2022 that covers four areas the company plans to devote its resources for what it calls a multi-platform ecosystem. [Read More]
Last month I reported on Canon’s lens roadmap for the remainder of 2020 and likely into 2022. That report included the RF 50mm f/1.8 STM Read more...
Canon has already released a bunch of exciting glass for the full-frame mirrorless RF-mount, but the company is far from done. A leaked lens roadmap for 2021 indicates that Canon has as many as 16 new RF mount lenses in the works, including some of the most-anticipated additions like the 70-200mm f/4 and 50mm f/1.8. […]
When the Fujifilm GF system launched, one of the first lenses that I expected was the Fujifilm GF 80mm f1. 7 R WR. But that consistently was not what we were getting. What I was always told was that "Medium format is hard to make this for!" But I'd always respond with a reminder that the GF format is larger than full-frame, but it isn't a proper medium format system since it doesn't even reach a 645 sensor size.
I know how easy it is to be upset at Adobe. Trust me, I feel like I’m in a constant state of that feeling for one reason or another, and for years I have been very hard on them repeatedly. I’m hard on the company because like with any product I enjoy, I have high […]
In what I personally find to be the more exciting of the two Canon announcements tonight, the company is announcing their latest lineup of lenses that will be coming on their roadmap for this year. While company already produced some stunners in the form of a 28-70mm f2 L USM, 50mm f1.