We've been playing with the new Nikon 28mm f1.4 E lens for a little while now and are honestly completely blown away by the image quality. The Nikon 28mm f1.4 E lens is incredibly sharp wide open, but is also has great bokeh and an overall very nice look that I genuinely feel will make a whole lot of sense for portrait photographers, documentary photographers, photojournalists and street photographers. Street photographers: yes. The look is really stunning.
thephoblographer.com
Dreams do come true, at least, for all the photographers tethering between Sony and Nikon – or for the ones that already made the jump. Adapters have long been one of the best aspects of mirrorless cameras, and as they improve they bring us all one step closer to a world where photographers can enjoy the best from all brands, without worrying about which mount they use and own. digitalrev.com »
2016-11-18 03:00
"It's not specific colors or patterns that attract me, but interesting light and, at times, absurdity," says photographer Colin Czerwinski to the Phoblographer in an interview. "By absurdity, I mean something tongue-in-cheek.
Meryl Meisler is a legend of street photography. Before people like Erica Reade were making it cool to photograph Beach Lovers, Meryl did it at Fire Island and other places. Her work is a refreshing dive into nostalgia, love, and the sides of humanity that put smiles on our faces when everything else isn't.
Meryl Meisler is a legend of street photography. Before people like Erica Reade were making it cool to photograph Beach Lovers, Meryl did it at Fire Island and other places. Her work is a refreshing dive into nostalgia, love, and the sides of humanity that put smiles on our faces when everything else isn't.
It hit me when being a few feet away from him and hearing his conversations: there will soon be a day that the world loses incredible photographers like Jamel Shabazz. Jamel is part of a breed of photographer that is disappearing -- he's a personable photographer who can speak with people and that puts them before the idea of taking pictures.
"Action, emotion, mystery, and/or a story," says Sean Fryxell to the Phoblographer in an interview when asked about what he looks for in good street photography. "Street photography is extraordinarily difficult because not all actions and stories translate immediately well into a picture.
Arlene Gottfried was a striking street photographer of 1970s and 1980s New York City, when Times Square was more gritty than it was Disney, to say the least. The archive of her work amounts to hundreds of boxes of film which her family is working to preserve. [Read More]
Stare at the lead image of this article. If you're looking at the image above and not having your mind make so many different associations, you're probably not very in tune with what's going on. It's almost impossible to not see the irony.