I never thought I would be running around with a net desperately trying to capture butterflies and dragonflies. But that was exactly what I was doing two summers ago at the local golf course. Living north of San Francisco I am surrounded by natural beauty with flowing waterfalls, giant redwoods, and luscious green hillsides.
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Photographers have been waiting for the RF successor to the beloved Canon EF 35mm F1.2 L lens. While it wasn’t what we got, the Canon RF 35mm F1.4 L VCM hopes to fill that gap with a fast wide-angle lens with low-light performance, sharp images, and weather-sealing in a first-party lens. Is this the L lens you need in your kit?
You probably won't believe me, but I fervently subscribe to the idea that I've received the most death threats of any journalist working in the photo-industry today. Anyone else that I've spoken to about this doesn't really get them.
This year marks the 100th anniversary of the Leica I, the first 35mm camera to be mass-produced by the company. As part of the massive celebration under the theme of 100 Years of Leica: Witness to a Century, the company has launched M11 in different editions, as well as organized several events to mark this significant milestone.
There are days when I can't help but wonder about the life of my photos centuries down the line. What will happen to those photographs if they manage to survive. Will they be adored by my great-grandchildren, or will they be tucked away in whatever cloud storage device they have in store? But as I pondered over the future, another question popped up in my head: the now.
Every year during Black History Month, we celebrate the exceptional works of Black photographers across various genres. Despite facing numerous challenges, these talented artists have worked tirelessly to achieve success in their careers.
Some photographs are so distinct that they force you to look at them several times before you finally begin to grasp what's happening. Cuban-American photographer Abelardo Morell's work, which will be exhibited at the Clark Art Institute, is an example of that.
If you look around the web, there's a lot of doom and gloom. It makes you wonder whether or not something like content credentials could work when there is so much misinformation and fakery online.