Creating the Photograph: Travis Singleton’s “There’s light in the dark side”

In the early 90's, photographer Travis Singleton got his hands on a Minolta XD-5 35mm film camera. then he took a break from photographer and went digital. Born on a small farm in rural Nova Scotia, he grew up on the east coast of Canada.

Even during his younger days, he had an interest in photography. "As I didn’t have the money, I would buy the rolls of film to take pictures but often didn’t get them developed. " he tells us in an email. "Or I would put the roll aside to get developed later, only to forget. ".

creating photograph travis singleton there light

2017-5-4 10:00

Èñòî÷íèê: thephoblographer.com

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Creating the Photograph: Chris Gampat’s “The Underground Club”

I've done a number of posts for our Creating the Photograph series partially because they help me to show off a different way or thinking about a problem that needs to be solved on a set. So recently when working with the Fujifilm GFX 50s on a shoot, I tried to find a way to deliver that "club" type of look that's becoming so popular again in photography. thephoblographer.com »

2017-05-08 07:00

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Is There a Cheaper Route for Film Photography?

Film photography has steadily become more expensive over the years. And in the past few years, the prices have pretty much exploded. With more photographers shooting film, the demand has surely grown with only a few brands making film.

How to Get the Redscale Look In-Camera Without Post-Production

You'd be shocked at just how simple it is to get the redscale look that everyone loves and craves. The redscale look derives from the organic look that you can get from film. And so, I'm going to preface this piece by saying you should just go shoot film.

Film Photography Needs to Do Something Digital Doesn’t

Some of you may think I'm nuts to say that film photography is back. But it really, truly is. In the pandemic, more people decided to take it up and start their own darkrooms. It's fun and a completely different way of creating images that everyone should do and commit to--at least for a month! However, I only see the current film renaissance as a way for film to truly find its own place.

The Phoblographer’s Guide to CineStill Film Emulsions

I like to think that CineStill had a fairly big part in the revival of analog film culture; indeed they did something that no one else was doing and even today no one else really does. Yet in many ways, what CineStill does is something that has been around for years now.