Is It Ever Okay to Shoot Photos in a Graveyard?

Is It Ever Okay to Shoot Photos in a Graveyard?
ФОТО: thephoblographer.com

For many people, talking about death or anything linked to it brings out a host of sensitives. Losing a loved one is never easy, nor is the aftermath of arranging where to place them. Because of the pain associated with someone dying, talking about it is somewhat taboo.

For those that have opted for a burial, graveyards become the home of the ones they’ve lost. They’re peaceful environments. A place for reflection and closure. But they’re often public spaces, and people have the right to photograph in them - but does that make it okay?.

they

2020-10-28 01:00

Источник: thephoblographer.com

Партнеры

Самое свежее

Jamel Shabazz Does Something Most Modern Photographers Don’t

It hit me when being a few feet away from him and hearing his conversations: there will soon be a day that the world loses incredible photographers like Jamel Shabazz. Jamel is part of a breed of photographer that is disappearing -- he's a personable photographer who can speak with people and that puts them before the idea of taking pictures.

Sean Fryxell is The Street Photographer You Need to See

"Action, emotion, mystery, and/or a story," says Sean Fryxell to the Phoblographer in an interview when asked about what he looks for in good street photography. "Street photography is extraordinarily difficult because not all actions and stories translate immediately well into a picture.

The Mental Trick That Makes Your Photography Much Better

Stare at the lead image of this article. If you're looking at the image above and not having your mind make so many different associations, you're probably not very in tune with what's going on. It's almost impossible to not see the irony.

We Used The Nikon Zf With Manual Focus Lenses. Guess What Happened.

If I had a week, I still wouldn't have enough time to elucidate why the Nikon Zf is the company's most perfect camera to date. I could start with how it appeals to your emotional and sensory availability as a photographer and how the tool is an inherent part of it, but that's not what we're here to discuss.