Green screens, while incredibly commonplace in big-budget productions and Hollywood blockbusters, often get a very bad reputation in the hands of independent filmmakers. [Read More]
petapixel.com
Real-time in-camera VFX might sound like a pipe dream, but Unreal Engine has just published a demo that shows exactly that with Project Spotlight. Using “next-generation virtual production tools,” Project Spotlight is able to render and manipulate real-time environments with startling realism, replacing green or blue screens with LED walls. The demo was filmed at […] petapixel.com »
2019-08-22 20:20
Panasonic remains committed to camcorders despite the popularity of its interchangeable lens hybrid cameras. After updating two consumer camcorders for the first time in six years last Halloween, Panasonic unveiled four new 4K professional cameras. [Read More]
Tilta announced an improved version of its Khronos ecosystem for iPhone filmmakers. Designed for the iPhone 16 Pro and Pro Max, the revised system combines a protective case, modular design, and enhanced physical controls. [Read More]
Canon had a strong 2024, launching a new flagship camera, a highly anticipated (and excellent) sequel to the popular EOS R5, and a bunch of diverse new lenses. [Read More]
After a torrid pace in 2023, during which time Nikon launched a pair of cameras and nine all-new lenses, the company slowed a bit this year, releasing just two new cameras and three lenses.
Blackmagic Camera 2.2 for iOS introduces meaningful enhancements tailored to real-world needs.
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Venus Optics launched its Nanomorph LF 1. 5x Anamorphic Series lenses, debuting a four-lens lineup of professional-grade anamorphic lenses for full-frame and large-format cameras.
Following this past October's announcement of the Simera-C T1.5 series of cinema lenses for Sony E-mount, Thypoch announced the 21mm, 28mm, 35mm, 50mm, and 75mm lenses will also be available in Leica M-Mount. [Read More]