I recently shared a photo I'm proud of on Instagram. Reactions ranged from very positive to those denying my work the title of “a photograph,” calling it “computer graphics,” or “photo-graphics.” This got me thinking.
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When Adobe debuted the Firefly-powered Generative Remove tool in Adobe Lightroom and Adobe Camera Raw in May as a beta feature, it worked well much of the time. However, Generative Remove, now officially out of its beta period, has confusingly gotten worse in some situations. [Read More]
Earlier this month, the star of the new Wicked movie Cynthia Erivo shared that she was livid with a fan-edited film poster that more closely resembled the poster for the popular Broadway musical show of the same name. [Read More]
The rapid adoption of generative AI has allowed the technology to bleed over the edges, seeping into multiple areas of modern life at a dizzying pace. Yes, artists can easily avoid opening up ChatGPT.
One third of 18 to 25-year-olds are editing their images before posting them on social media -- with many of them altering aspects of their physical appearance. [Read More]
When Adobe launched its Firefly generative AI, it noted that using it would have limits determined by what it calls Generative Credits. Those limitations will soon include all Firefly-powered tools in Photoshop and Lightroom, too. [Read More]
Over a decade ago, Lytro launched with a curious idea: what if a photo didn't have to stay the same after it was taken? What if perspective had control that could be played with again and again? [Read More]
There has been a decades-long relationship between photographers and Adobe. However, the company's recent public discourse and marketing have made some photographers feel uneasy and, in some cases, furious. [Read More]