The OM-1 Mark II has landed with more of a whimper than a bang. It's a great camera but there's not much new about it. However, the rush to pass judgment on what the lack of novel features means for the future of OM System and Micro Four Thirds at large is premature. [Read More]
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In a growing trend of cameras made for content creators, the Panasonic G9 II is a camera that puts still images first. While video is available, the features that interfered with still images — like the bulky fan — are axed to prioritize stills. thephoblographer.com »
2023-11-02 07:00
In this industry, perception matters -- a lot. Side by side, spec for spec, the Canon R1 is obviously improved versus the R3 but not to the degree that feels like an entirely different camera line. [Read More]
It's easy to think that the Canon EOS R1 is the main attraction of Canon's announcements this week. The company made a development announcement for it and it's been heavily teased.
The Nikon Z6 III's peak dynamic range can't keep pace with its predecessor, the Z6 II. The gap isn't minor, either. But how much does it matter, and does it mean photographers should opt for the older model? [Read More]
Earlier this week, Nikon announced the Z6 III to considerable fanfare, and for good reason. It packs so many features into a $2,500 system that it manages to be a camera that is more than a compromise, even at that price.
I originally did this article on CanonNews but talking to Craig about the latest R1 stuff, and whatnot, it seemed like a good idea to update it and redraft it to be more modern. I’m going to keep the initial paragraph the way it was because I think it sets the tone. My thoughts on [...] Source
Last week, Canon clarified that while the aperture control rings on its 24-105mm f/2. 8L Z and 35mm f/1. 4L VCM don't work in photo mode with its existing cameras, that will change with any camera announced after June 2024.
Humane's AI Pin didn't review well, but the company is still pushing forward. Today, it sent out an email with a link to a YouTube Short that glorifies the experience of letting life happen instead of actively trying to capture it on camera.