My photography journey began over 20 years ago with black and white film in the darkroom. One of my best friends and I were in charge of ensuring plenty of developer and fresh fixer. In exchange, we were given a key to the darkroom to utilize whenever we wanted.
We shot varying speeds of Kodak TMax and Ilford Delta and processed them in several different developer brands. I quickly fell in love with deep blacks and punchy contrast, and I fell hard. I was thrilled when Editor-In-Chief Chris Gampat told me I would be reviewing KONO Monolit 3. . thephoblographer.com
2022-6-3 07:00