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This is the end of my essay series on how we see and think about photographs. While I could certainly ramble on more or less forever, this is a good place to stop. I started from a simple thesis, a single idea: that we react to a photograph differently than we do to, say, a […] petapixel.com »
In the ongoing spirit of applying my new(?) model of thinking about photographs to old questions, let’s take a pass through “ethics” to see if anything interesting shows up. I am no philosopher, nor an ethicist, so I use “ethics” here broadly, and colloquially. petapixel.com »
If you’ve been following along for any length of time, you might be starting to wonder if the author here even owns a camera, and if so, whether he can work it at all. I can! I really do, and I can! I mean, kinda, anyways. This is a picture I took. Let’s talk about […] petapixel.com »
The previous essays in this series have tried to develop some ideas about what happens when people look at photos. The realism, that mass of realistic detail, causes (I claim) a visceral reaction: we feel, we react, we think, a little as if we were transported by the photograph into the scene itself. We find […] petapixel.com »
In the previous essay on reading photos, I looked at how things we know, mental baggage we have accumulated besides just memories, affect what we see in a photograph. Things like cultural background, political beliefs, movies we’ve seen, or books we’ve read. petapixel.com »
In the previous essay, I introduced a couple of imaginary photographs. The first, an old woman celebrating her birthday with family and friends; the second a photograph of a man seated in a chair, attentive to something out of frame. petapixel.com »
This is the third essay in this series, and it begins a smaller sequence of notes running over the ways we as viewers make sense of pictures. We spend, I think, too much time thinking about what happens before and during the making of a picture, but not enough on what happens when someone actually […] petapixel.com »
In the previous essay, I made an argument that photographs (and things that are like photographs) metaphorically transport us into the scene of the photo. We react, body and mind, a little bit as if we were actually present. petapixel.com »
Over the last week or so, our inbox has become really quiet as far as EOS 90D and EOS M6 Mark II announcements go. It’s Read more... canonrumors.com »
Last week we posted a bit of an opinion piece based off an article at Fstoppers about perceived innovation at Canon when it comes to camera design and development. We took an unscientific poll to see what our readers thought about Canon’s place in the market, and these are the results This being an enthusiasts site, Read more... canonrumors.com »
Fujinon Cine 18-55mm T/2. 9 E-mount lens at BHphoto and Adorama. Fujinon Cine 50-135mm T/2. 9 E-mount lens at BHphoto. – D’ho! Fuji just issued a statement because their new 18-5mm E-mount Cine Lens has an issue. sonyalpharumors.com »
