When you use DPReview links to buy products, the site may earn a commission. Updated Nov 8, 2024 Sixteen years after Panasonic introduced the first mirrorless camera, mirrorless cameras now dominate the interchangeable lens camera market.
They include cameras designed for a wide range of photo and video pursuits and models at everything from budget to professional price points.
We've used and tested just about every current mirrorless camera on the market and picked out what we think are the stand-out models. We'll start with the most affordable models, then work our way up from there. In general terms, as you move up the price ladder, you'll see larger sensors with better image quality, higher resolution, faster burst rates, or more capable video specs. We'll explain why we've chosen each camera and try to explain the advantages and disadvantages of each choice.
Our picks:
Best value: Sony a6100
Best APS-C mirrorless camera: Sony a6700
Best bargain full-frame: Canon EOS R8
Best mirrorless camera under $2000: Nikon Zf
Best mid-priced mirrorless camera: Nikon Z6III
Best high-end mirrorless camera: Canon R5 II
Compact high-resolution: Sony a7CR
Best value: Sony a6100
24MP APS-C sensor | Hybrid AF with Real-time Tracking | 4K video capture
Photo: Richard Butler
Buy now:
Buy at Amazon. comBuy at Adorama$598 at B&H PhotoWhat we like:Excellent autofocus system4K/30p video recordingTilting touchscreen LCD
What we don't:Less robust build qualityRolling shutter 'jello effect' present in 4K videoCrop when recording 4K/30p video
The Sony a6100 is an entry-level APS-C mirrorless camera. While in 2024 it's one of the older camera still available, its 24MP sensor, touchscreen for easy focus placement and Sony's excellent autofocus tracking, which especially excels at focusing on people and pets, still make it excellent value for its price.
The a6100 is happiest if you prefer to point-and-shoot in an auto mode, supported by its very good autofocus. The wide range of lenses available for it give you somewhere to grow if you find yourself catching the photography bug.
The a6100 is the most basic model in the a6000-series and doesn't feel quite as robust as its step-up siblings. It offers a lower-resolution electronic viewfinder, and twin control dials that are both thumb-operated. Its touchscreen flips upward 180-degrees for easy selfie framing and vlogging.
Sony's autofocus system has been trained to recognize people and pets as subjects, and will follow them flawlessly throughout the frame. Coupled with the ability to touch the screen to place a focus point, it's a system that will serve beginner users very well, whatever they're shooting.
"The a6100's autofocus can effortlessly track whatever you point it at"
The a6100 makes it easy to record 4K footage or slow-motion 1080 video. There's a socket to connect an external mic but no way to connect headphones for monitoring. It can be set up for tap-to-track autofocus in video, too. There's significant 'jello-effect' distortion in the 4K footage though, especially in 24p mode.
The a6100 is a good entry-level camera with a very powerful, easy-to-use autofocus system. We're not huge fans of the kit zoom and the interface isn't especially welcoming, but with a few settings changes, it can help you get excellent shots, easily.
Read our Sony a6100 review
See the Sony a6100 studio scene
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Best APS-C mirrorless camera: Sony a6700
26MP BSI CMOS sensor | 4K/60p video capture | Fully articulating screen
Photo: Richard Butler
Buy now:
$1398 at Amazon. com$1398 at Adorama$1398 at B&H PhotoWhat we like:Front and rear command dialsExcellent AF in stills and video4K/120p capture (with crop)
What we don't:No AF joystickJPEG sharpening can be aggressive
The Sony a6700 is an enthusiast-level APS-C mirrorless camera built around an image-stabilized, 26MP BSI CMOS sensor. It includes an impressive collection of features for both photo and video shooters.
The a6700 might look a lot like the a6100, but it's a much more advanced model with better build quality, greater capabilities in both stills and video, and more hands-on control points.
The a6700 has a thumb-and-forefinger dial interface missing from Sony's less expensive models. It’s just slightly larger than previous models in the line, but in exchange, you also get a fully articulating display. However, it lacks the AF joystick found on many cameras in its class.
Autofocus on the a6700 offers class-leading subject detection and tracking capabilities. Combined with a dedicated ‘AI’ processor, it effectively tracks subjects around the frame even when shooting at the maximum 11 fps burst shooting rate.
"Excellent photo and video quality with best-in-class AF in stills and video make it an excellent choice for enthusiasts. "
The camera produces very detailed 4K video up to 60p with 10-bit color, with good rolling shutter performance. There’s also a 4K/120p mode, albeit with a 1. 58x crop. Autofocus performance is top-notch, with a well-designed touch interface. It's a strong option both for videographers and vloggers.
Excellent photo and video quality, best-in-class AF in stills and video, and a deep set of features to support both make it an excellent choice for enthusiasts. Sony's E-mount also includes a good range of available lenses.
Read our full Sony a6700 review
See the Sony a6700 studio scene
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What are my other APS-C options?
Although the Sony a6700 is the most capable APS-C camera, if you consider autofocus performance, image quality and video capabilities, there are several other worthy contenders to the title. We appreciate the combination of affordability and likeability of Nikon's Z fc, now that there are a handful of prime lenses to use with it, and we respect the Sony-rivaling capabilities of several of Canon's APS-C RF models, which you can now get some decent third-party fast zooms for. If you're willing to take a chance, Nikon's Z50II also looks to be a very interesting follow-up to the Z fc, but we haven't been able to test it enough to include it on this list.
Fujifilm's X-T50 is also worth considering if you're looking at APS-C cameras
Photo: Richard Butler
But it's the Fujifilm X-T50 that we'd suggest considering if you don't think the a6700 is for you. We like its design – including the film simulation button that encourages you to play with different looks – and it shoots great video and attractive stills. Touches such as the AF joystick make it that bit more engaging and enjoyable to shoot with, than the Sony.
Its autofocus tracking isn't nearly as reliable as Sony or Canon's latest cameras, but where it really shines is in the selection of lenses available for it. Fujifilm makes a broad selection of prime lenses and the excellent 16-50mm F2. 8-4. 8 OIS zoom, which is significantly better than the lenses bundled with most of these cameras. Third party support is strong, too, meaning the camera can grow with you as your photography develops.
Buy now:
$1399 at Amazon. com$1399 at Adorama$1399 at B&H PhotoFull-frame mirrorless
Full-frame cameras (those with image sensors the same size as traditional "35mm" film) offer the potential for better image quality than smaller formats, simply because they have a larger area on which to capture light. However, you don't get something for nothing: even if you can find an affordable, compact full-frame camera at a good price, the lenses needed to make the most of it will be larger and will typically cost more than those for APS-C or Four Thirds sensors. Broadly speaking, there's a balance to be struck between image quality, size and price, which is worth contemplating before you make the assumption that full-frame is the best (or even 'better') format.
Best budget full-frame mirrorless: Canon EOS R8
24 MP full-frame CMOS sensor | 4K/60p 10-bit video recording | 8 fps burst shooting
Photo: Richard Butler
Buy now:
$1499 at Amazon. com$1499 at Adorama$1499 at B&H PhotoWhat we like:Great image qualityVery good AF subject detection and trackingGood starting price
What we don't:No in-body image stabilizationShort battery lifeNo AF joystick
The Canon EOS R8 is a surprisingly capable compact full-frame mirrorless camera that has the features and image quality of Canon's EOS R6 II at a much lower price.
The EOS R8 has a comfortable grip and twin dials, giving a good level of direct control. There aren't many buttons so more committed users may want to move up to the EOS R6 II, rather than rely on the quick menu for changing settings.
Autofocus is the R8's strong suit: tracking and subject detection are simple to use and very effective. There's no AF joystick, so you'll have to use the touchscreen or select a subject and recompose. Battery life is very limited for an entry-level full-frame camera, though it can charge over USB, at least.
"If you're partial to Canon and are new to full-frame mirrorless, the EOS R8 is a great place to start your photographic journey. "
The R8 shoots attractive video, including 4K footage at up to 60p. The lack of in-body stabilization means you'll need a stabilized lens or a tripod to get the best results.
Photos are on par with more expensive full-frame cameras, with great high ISO performance, detail-preserving noise reduction, and Canon's pleasing JPEG colors. The 40 fps burst mode is prone to rolling shutter distortion, reducing its usefulness for capturing action.
The EOS R8 offers the image quality and many of the features of Canon's more expensive models but battery life, viewfinder resolution and lack of sensor stabilization are part of the price you pay for that. The RF mount is still fairly new so it's worth researching your lens options before buying, but an adapter allows the use of EF DSLR lenses if you have them.
Read our full review of the Canon EOS R8
See the Canon EOS R8 studio scene
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What are the other entry-level full-frame options?
We also think the Nikon Z5 is worth considering if you're looking for a comparatively affordable full-frame camera. It's older than the Canon and its autofocus tracking and video capabilities lag significantly behind as a result. Like Canon's RF system, Nikon's Z-mount lens ecosystem is also somewhat short on affordable lenses to pair with an entry-level camera, though Nikon has allowed a couple of other brands to make selected lenses for the system.
Its usability is really what earns it a place in this guide, though. The Z5 has a larger, higher-resolution viewfinder than the EOS R8, much longer battery life, in-body image stabilization and an AF joystick, all of which can make it a rather more enjoyable camera to shoot with. Definitely worth a look.
Buy now:
$1296 at Amazon. com$1396 at Adorama$1396 at B&H PhotoBest mirrorless camera under $2000: Nikon Zf
24MP full-frame BSI CMOS sensor | Full-width 4K/30 video, cropped 4K/60 | Stabilization rated to 8EV
Photo: Richard Butler
Buy now:
$1796 at Amazon. com$1997 at Adorama$1997 at B&H PhotoWhat we like:Distinctive design with direct controlsEffective subject recognitionStrong stills and video features
What we don't:Weight and minimal grip can become uncomfortableSlow MicroSD second slotFew custom buttons
There are some exceptionally good cameras in the $2000-$2500 price category, but few of them are as eye-catching as the Nikon Zf. While the styling is distinctly 1981, the performance is much more contemporary, with very competitive autofocus and the strong balance of stills and video capabilities that we've come to expect from a camera at this price.
The Zf gives the choice of using the dedicated control dials or customizable command dials. In most respects it copies its well-polished control system from other recent Nikons. Not everyone will enjoy the angular early 80's handling but it handles just as well as the cameras it resembles.
The Zf's autofocus is impressive, with both subject recognition and AF tracking both working well. It's perhaps not quite as confidence-inspiring as the latest Sony cameras, but it's not far off. It'd be nice to have an AF joystick but the rear control pad does a decent job.
"The Zf's looks may date from 1981, but its performance is completely contemporary"
The Zf has a very solid video feature set. Oversampled 4K/30 and cropped 4K/60 is standard for this sensor, but the Zf also adds a waveform display that's especially useful for exposing its 10-bit Log footage.
The Zf uses a very familiar 24MP BSI sensor that has underpinned numerous cameras in recent years, and the results are predictably good. There's plenty of dynamic range and enough detail capture for all but the most demanding applications.
The Nikon Zf's performance lives up to its looks. It's not as comfortable to hold for long periods as more modern designs, but it's also distinctive and engaging in a way they're arguably not. We're still completing our testing, but it hasn't disappointed yet.
Read our review of the Nikon Zf
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Best mid-priced full-frame mirrorless: Nikon Z6III
25MP full-frame 'Partially Stacked' CMOS sensor | 6K/60p N-Raw video | 5. 76M dot OLED 0. 8x EVF
Photo: Richard Butler
Buy now:
$2296 at Amazon. com$2497 at Adorama$2497 at B&H PhotoWhat we like:Very good image qualityGood autofocus tracking with auto subject recognition modeExtensive choice of video resolutions and codecs
What we don't:Peak dynamic range lower than peersN-Raw video format has limited supportNikon controls 3rd-party lens options
The Nikon Z6III is Nikon's third-generation full-frame enthusiast mirrorless camera, with a 'partially stacked' 25MP CMOS sensor.
The Nikon Z6III represents a significant step up for the Z6 series, and from the Zf, becoming a very capable camera for both stills and video. Its autofocus has caught up to the pack, and its sensor readout speeds – and, therefore, rolling shutter performance in video – are among the best in its category.
The Z6III has an ample grip and easy-to-use control scheme. Nikon's menus and touchscreen layout are also well-refined, but the camera lacks the company's traditional AF mode button or front-corner switch.
The Z6III is a genuine do-anything camera with excellent video and photo capabilities.
Autofocus is generally reliable, and the camera includes Nikon's 3D-tracking system and plenty of subject recognition modes. It can shoot 20 raws per second, or 60fps in JPEG mode.
The Z6III shoots many video formats, including Raw, and has dependable subject-tracking autofocus and a waveform display. Its 4K and 5. 4K modes produce excellent detail, even in 60p, and its rolling shutter performance is outstanding.
Image quality is very good, with lots of detail and acceptable amounts of noise. There is a slight dynamic range tradeoff for speed, but it's only noticeable in extreme situations.
The Z6III is a significant step-up from its predecessor and is to-date the most all-round capable camera in its class. It excels in both stills and video.
Read our full review of the Nikon Z6III
See the Nikon Z6III studio scene
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The mid-priced rivals
There are plenty of other cameras worth considering, in the around $2000 price category. Canon's EOS R6 II is probably the strongest competitor to the Z6III. It has a slightly smaller viewfinder, and its video specs aren't as good, but if you're just looking to shoot stills, your choice between the two should be dictated purely by which system has the lenses you want at prices you're happy with.
If you shoot outside a lot and need a compact system with excellent weather sealing, the OM System OM-1 II is worth considering; outside of that use case, it's probably worth considering other options unless you're heavily invested in Micro Four Thirds lenses.
Sony's a7 IV is also not a bad choice, with capable autofocus and slightly higher resolution capture than its peers, though its video suffers as a consequence. However, we'd strongly recommend the smaller, less expensive a7C II instead. Its autofocus is a generation newer, and it's appreciably smaller than its rivals. The viewfinder is small, and there's no AF joystick, though, which are the main reasons it's not one of our main picks.
Best high-end mirrorless camera: Canon EOS R5 II
45MP Stacked CMOS sensor | Eye-controlled AF subject selection | Up to 30fps continuous shooting
Photo: Richard Butler
Buy now:
$4299 at Amazon. com$4299 at Adorama$4299 at B&H PhotoWhat we like:Excellent image quality in a range of circumstancesVery fast autofocus with great subject trackingGood video support tools, including waveform display
What we don't:Slight reduction in dynamic range in extreme scenariosEye control can be tempermentalTemperature limits require considered shooting in heaviest video modes
The Canon EOS R5 II is one of the most capable cameras we've ever tested and will almost certainly be up to any task that most photographers can throw at it. It shoots at high resolution, has an excellent autofocus system and sports plenty of video features.
The grip is very well-shaped and proportioned, and the controls are all well-placed and comfortable to use for extended periods. Eye Control for autofocus is excellent when it works, which isn't always
The EOS R5 II has excellent tracking and subject-tracking autofocus performance. The subject detection is effective without getting in your way. It can shoot Raws at up to an extremely rapid 30fps.
The EOS R5 II does a vast range of things and does most of them extremely well: it's a really impressive all-rounder for action, landscapes, video, you name it.
It has plenty of video options up to Raw 8K/60p, offering high levels of detail, though it can overheat when shooting in its most impressive modes. Its rolling shutter rates are generally quite good.
The 45MP Raws are highly detailed, and the JPEG sharpening and noise reduction are sensible. It can't quite match higher-resolution cameras like the A7R V, but performs well in its own right.
The EOS R5 II excels at almost everything it tries to do, and that's a long list. It's hard to imagine what photo or video need it won't support you in.
Read our Canon EOS R5 II review
See the Canon EOS R5 II studio scene
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A worthy competitor
The strongest competitor to the EOS R5 II besides the original EOS R5 is Nikon's Z8. Canon's high-end entry does have some features that could be useful to certain photographers, like Action Priority AF and Eye Control, but outside of that your choice should again be dictated by lens selection, as they're both supremely capable cameras.
Buy now:
Buy at Amazon. comBuy at AdoramaBuy at B&H PhotoCompact high-resolution: Sony a7CR
61MP BSI CMOS sensor | 4K/60p video with 10-bit color | Dedicated ‘AI’ processor for AF system
Photo: Richard Butler
Buy now:
$2998 at Amazon. comWhat we like:Big camera features in a small bodyOutstanding AF performanceAuto Framing video mode
What we don't:Small, low-res viewfinderNo joystick controlNo fully mechanical shutter
The Sony a7CR takes most of the features of the more expensive a7R V and provides them in a smaller package. The viewfinder is disappointing for such an expensive camera, but nothing gives you so much image quality in such a small, capable package.
The a7CR is impressively small for a full-frame camera. The addition of a front control dial improves handling significantly. Notably, there’s no joystick for positioning the AF point, and the viewfinder is small and very low resolution for a camera costing this much.
Autofocus performance on the a7CR is very good and is helped by a dedicated processor for crunching complex machine learning-trained algorithms. Subject recognition is quick, and the AF system tracks subjects tenaciously around the frame in either stills or video. 8 fps burst shooting with continuous AF results in a dependably high hit rate.
"If you're looking for maximum resolution in a travel-sized body, the a7RC is tough to beat. "
The a7CR captures 4K video at up to 60 fps. The most detailed, oversampled footage results from a 1. 2x crop of the sensor, which makes it challenging to maintain wider focal lengths. Auto Framing mode uses AI algorithms to mimic the way a camera operator might punch in on subjects, keeping them framed and in focus.
The a7CR's 61MP sensor can capture a lot of detail, putting it ahead of most full-frame rivals; though it is a little noisier in low light. JPEG colors are pleasing, and excellent sharpening makes the most out of the 61MP sensor. Raw files provide plenty of latitude to pull up shadows at base ISO.
The a7CR delivers impressive results for its size. It essentially provides the same level of image quality, and most of the same features, as Sony's a7R V, but in a smaller package. In exchange for the small size, you make a few compromises, like no AF joystick, but if you're looking for maximum resolution in a travel-sized body, the a7CR is tough to beat.
Read our Sony a7CR initial review
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What are the other high-end options?
Just about all the cameras that cost $2500 and up are, unsurprisingly, rather good. We go into a little more detail about their relative merits in our 'High-end camera buying guide. ' As at any price, the key things to consider are what types of photography you plan to do (and hence, which features and capabilities are most important to you), and whether the lenses you need are available at a price you're willing to pay.
Why you should trust us
This buying guide is based on cameras used and tested by DPReview's editorial team. We don't select a camera until we've used it enough to be confident in recommending it, usually after our extensive review process. The selections are purely a reflection of which cameras we believe to be best: there are no financial incentives for us to select one model or brand over another.
. dpreview.com2024-11-9 18:00
