What's the Nikon Z like with adapted lenses?

What's the Nikon Z like with adapted lenses?
ÔÎÒÎ: dpreview.com

How well does the Nikon Z work with adapted lenses? When we polled our readers to find the things it was most important for Nikon to get right in its full frame mirrorless camera, full compatibility and performance with its F-mount lenses came out top.

This is no surprise: Nikon has sold over 100 million F-mount lenses, which has resulted in a large, loyal and, to a degree, locked-in user base. For Nikon to convert any significant proportion of those users into 'Z' mount shooters, they need not just to be able to mount their existing lenses, but to have them work well with the new system.

Based on our experiences so far, we don't think they'll be disappointed - and this is the first time that photographers using F-mount lenses will have autofocus coverage across almost the entire frame.

Nikon FTZ adapter

Backwards compatibility is provided through the optional Nikon FTZ adapter, which will sell for around $250 (though initially there'll be a $100 discount if bought along with a Z series camera).

This F-mount to Z-mount adapter has full electronic connections between the camera and the lens. It also features a mechanical actuator to operate the aperture on the lens you mount to it. This means it will work with more than just the latest 'E' type lenses that have their own aperture actuators built-in.

This is something of a pleasant surprise; Nikon could certainly have made their lives easier by just supporting those newer electronic-aperture lenses, but we're glad they've included even more backwards compatibility.

Full compatibility with AF-S lenses

That increased backward compatibility thanks to the aperture actuator means that AF-S and AF-I lenses are fully compatible with the Z system. Essentially, anything with its own focus motor will work and will be compatible with all the camera's functions. There's a greater risk of focus noise in video mode as Nikon lenses tend to have noisy focus motors, but that's essentially the only limitation to using pretty much every lens launched in the past 18 years.

Partial compatibility with older lenses

The constant evolution of the F-mount means there have been many versions over the years. As you might expect, the degree of compatibility offered by the FTZ adapter drops as the lenses get older.

AF-D and AF Nikkor lenses will mount on the adapter and work with all metering modes, but will not autofocus. There's no AI lever on the adapter, though, so anything from before the mid 1980s will mount but will have increasing restrictions over which metering modes are available.

As in previous high-end Nikons, it's possible to record a list of non-CPU (AI and Pre-AI lenses) through the menus, so that the camera understands the focal length and maximum aperture of the attached lens. You can assign this function to one of the camera's buttons if you're regularly switching between lenses.

For more information on these oldest of Nikon lenses, check out our primer.

VR behavior

When working with adapted lenses, the camera's in-body image stabilization system drops to offering correction in three axes: pitch, yaw and roll. This is optimized based either on the focal length data provided by the lens or from the focal length that's been manually specified, if you're working with non-CPU lenses.

Any lens with its own 'Vibration Reduction' mechanism built in should be more effectively stabilized. With VR lenses, responsibility for correcting pitch and yaw is passed to the lens, since in-lens stabilization can provide a greater degree of travel than the in-body system could provide on its own. The camera continues to provide roll correction that the lens can't itself provide.

Performance with the AF-S NIKKOR 35mm f/1. 8G ED

During our time with a pre-production Nikon Z 7, we mounted the AF-S Nikkor 35mm F1. 8 to the adapter and were impressed by the performance. In fact, we found it sometimes focused more reliably on moving subjects than the native (though pre-production) Z-mount 35mm F1. 8.

All functions worked as expected and it focused quickly. Continuous autofocus performance was impressive, and is what we used to get this tack sharp shot of a toddler with this combo. During bursts though, our impression - albeit with beta firmware - was that the camera would sometimes back-focus trying to keep up with fast approaching subjects. This was not unique to this lens, and we hope final firmware provides improved performance.

The constant motor chatter would rule it out for video use though, unless you use an external mic away from the lens. And, of course, when used on the Z 7, the F-mount 35mm F1. 8's results are stabilized.

Performance: AF-S Nikkor 70-200mm F2. 8E

The 70-200mm F2. 8 is an essential part of many photographers' kits and again we were impressed with how it performed on a pre-production Z 7. Focus was swift and generally snappy, just as we'd expect with the lens mounted on a Nikon DSLR. Subject tracking appeared to successfully stick to our subject as well, though becomes harder to engage as using the touchscreen or pressing the 'OK' button becomes more cumbersome with large lenses.

The camera was able to drive the lens to refocus on a moving subject quickly and decisively, giving us a very good hit rate of perfectly in-focus images in Single Drive. The only moments of doubt came when shooting high-speed bursts of images. As with most other lenses we tried on the pre-production Z 7, we experienced some back-focused shots as the focus system played catch-up on rapidly approaching subjects (you can see the results in our preliminary look at the camera's AF performance).

We didn't shoot with it enough to get a sense for whether the addition of roll-axis correction was significantly adding to our keeper rate, but the fact it comes in addition to the lens's own VR can only be a bonus.

With manual focus lenses

In our limited time with the pre-production Z 7 and FTZ adapter, we unfortunately didn't have a chance to give it a try with an older AI or AI-S manual focus lens. However, the Z 7 comes with effective focus peaking, and you can also assign a focus magnifier to a custom button, making it easy to quickly check critical focus.

We're most curious as to whether the adapter has a provision for automatically magnifying the view if it can detect focus ring movement, and is something we'll investigate when we have a production model in our offices.

Lack of third-party openness

However, while the FTZ adapter works very well, in the short term it'll be the only adapter available. Despite the dimensions of the Z-mount being especially well-suited to adapting almost any lens you can think of, Nikon has - perhaps not surprisingly - decided not to share the mount's electronic specifications for aspects such as focus and exposure with other manufacturers.

This has always been true of the older F-mount, where Tamron, Sigma and other companies have reverse-engineered it for years to offer their own lens alternatives. We would have liked to see Nikon be more open in this regard, particularly for those coming from different systems or wanting more video-centric lenses to take advantage of the new video-centric features on the Z 7 and Z 6.

The relatively open nature of the Micro Four Thirds mount and, to an increasing degree, Sony's E-mount has really helped to flesh out those systems' lens ecosystems. While doing this for the Z-mount may have meant fewer users buying Z-mount Nikkor S lenses in the near term, it would have given early adopters of the Z 6 and Z 7 the possibility of more lens options outside of those Nikon's indicated on their roadmap.

.

lenses lens nikon have

2018-8-23 08:01

lenses lens → Ðåçóëüòàòîâ: 103 / lenses lens - ôîòî


Ôîòî: dpreview.com

Full-frame mirrorless lens guide 2021

The move to mirrorless by some of the industry's biggest players puts the focus on their new lens lineups. Updated June 11 2021 | Originally published April 2020 In this article, we're going to have a look at Canon, Nikon, Sony and Panasonic/Leica/Sigma full-frame mirrorless systems to see what they offer and where they might yet go. dpreview.com »

2021-06-14 20:02

Ôîòî: dpreview.com

Full frame mirrorless lens guide 2021

The move to mirrorless by some of the industry's biggest players puts the focus on their new lens lineups. Updated June 11 2021 | Originally published April 2020 In this article, we're going to have a look at Canon, Nikon, Sony and Panasonic/Leica/Sigma full-frame mirrorless systems to see what they offer and where they might yet go. dpreview.com »

2021-06-14 20:02

Ôîòî: dpreview.com

Nikon teases upcoming super telephoto lenses, 50mm prime with an updated lens road map

Click to enlarge. The new 'Micro 50mm' prime is center-left in the bottom row and the two super-telephoto lenses are top-right in the back row. Nikon has released an updated version of its visual lens roadmap for Z-mount camera systems, revealing silhouettes of three upcoming lenses, including two super-telephoto lenses and one macro prime lens. dpreview.com »

2020-11-20 19:05

Ôîòî: dpreview.com

These prototype contact-style soft lenses come with blink-controlled zoom

An illustration from the paper that shows the setup used to control the soft lens. Can't see from the cheap seats in the cinema or at the ball game? No problem, just use the zoom in your contact lenses to get a better view of the action! Unfortunately we're not quite there yet, but zoomable contact lenses could be available in the not too distant future based on a paper recently published in the Advanced Functional Materials journal titled ‘A Biomimetic Soft Lens Controlled by Electrooculographic Signal. dpreview.com »

2019-07-30 22:15

CP+ 2019: Tamron interview - 'the full-frame market is expanding, so we’re looking at that market first'

At the CP+ show in Yokohama last month, we talked with senior executives from several major camera and lens manufacturers including Tamron. In our conversation with Mr Takashi Sawao, Mr Kenji Nakagawa and Mr Minoru Ando, we discussed various topics including the 40th anniversary of the 'SP' series, Tamron's plans for mirrorless, and the shrinking APS-C market. dpreview.com »

2019-04-28 16:00

Ôîòî: dpreview.com

Lemuro launches line of high-end iPhone accessory lenses

With a few exceptions, like Moment or Zeiss products, accessory lenses for smartphones tend to be rather cheap and more often than not, produce low quality images. For those photographers who don't mind spending a bit more on high-quality accessory lenses, there is now a new alternative: German brand Lemuro has launched a Kickstarter campaign to fund mass production of its line of iPhone accessory lenses. dpreview.com »

2018-06-01 21:56

Ôîòî: digitalrev.com

Lens Lingo Explained

Pick up a lens and you’ll most likely see numbers and letters on the side or front of an optic. Sit and chat with a photographer and they may even use terms and words that seem a little unfamiliar and technical. digitalrev.com »

2018-01-04 03:00

Ôîòî: dpreview.com

Tamron sets up 'VIP Club' for users with four or more registered lenses

Loyal Tamron users who own four or more lenses made by the third party lens maker might qualify to be a part of the company's new VIP Club in 2018. Announced yesterday, the program creates three "membership" tiers that offer a variety of perks like free T-shirts, lens rebates, non-warranty repair discounts, an invitation to participate in a VIP-exclusive contest, and much more. dpreview.com »

2017-12-27 19:16

Canon introduces Macro Twin-Lite MT-26EX-RT

$(document). ready(function() { SampleGalleryV2({"containerId":"embeddedSampleGallery_7609213845","galleryId":"7609213845","isEmbeddedWidget":true,"standalone":false,"selectedImageIndex":0,"startInCommentsView":false,"isMobile":false}) }); Rounding out a series of announcements today is the Macro Twin-Lite MT-26EX-RT, a dual Speedlite rig for macro photographers. dpreview.com »

2017-08-29 07:00

Vintage lens shootout: three lenses, one model

Vintage lens enthusiast Mathieu Stern took a break from coughing up fake blood in the name of dispelling lens myths this week to compare some of his favorite vintage lenses in a shootout. Stern went out for a single photo shoot with one model and three vintage lenses: the Canon FD 50mm f/1. dpreview.com »

2017-08-08 18:21

Ôîòî: dpreview.com

Hands-on with the Fujinon MK50-135mm T2.9 cine lens

Hands-on: Fujinon MK50-135mm T2. 9 cine lens The Fujinon MK50-135mm T2. 9 cinema lens is the second in Fujifilm's new line of MK lenses designed for Super 35 and APS-C cameras. MK lenses are designed to appeal to the emerging production market, offering features and quality typically associated with more expensive cinema lenses at a price point that's attractive to budget-conscious cinematographers. dpreview.com »

2017-06-22 14:00

Ôîòî: dpreview.com

Shiftcam for iPhone 7 Plus review

The selection of accessory lenses for most iPhone models is pretty overwhelming. However, there is one exception: the iPhone 7 Plus dual-cam with its new 28 and 56mm equivalent lenses makes design and engineering of accessory lens solutions somewhat more complex than on the standard models. dpreview.com »

2017-06-07 13:00

Speedmaster 65mm and 85mm fast primes for Fujifilm GFX on the way

$(document). ready(function() { SampleGalleryV2({"containerId":"embeddedSampleGallery_1143527949","galleryId":"1143527949","isEmbeddedWidget":true,"standalone":false,"selectedImageIndex":0,"startInCommentsView":false,"isMobile":false}) }); Chinese manufacturer Zhong Yi Optics has shown of a pair of manual focus prime lenses for Fujifilm's medium format GFX 50S at a tradeshow at Beijing. dpreview.com »

2017-04-25 22:47