I need to begin this review by telling you all how long I'd been lusting to test the Leica SL 50mm f1. 4 Summilux. Three years ago, I wrote this article about Jarle Hagan's documentary portraiture of Norway's Sami – a protected indigenous people and the most northern dwelling indigenous people in Europe.
When I saw his images, I was incredibly inspired in a way that I haven't been by a marketing campaign for years. His pictures, lighting, and the humanity he presents with his subjects is the thing of legends. But beyond that, it also meant that the Leica SL 50mm f1. 4 Summilux survived a super harsh environment. With this being a Leica lens, I wasn't going to question the optical output. Leica's lenses have always been stellar. And indeed, this too is a great one. But it's also massive, and unfortunately, the L mount alliance can't get it together with autofocus as of February 2020 when I finished testing this lens. But if that's not a problem for you, then you're going to be treated to a lens that's going to give you love at first click almost every time. . thephoblographer.com
2020-4-14 13:00