Approach - Последние новости [ Фото в новостях ] | |
At PetaPixel, we've been covering generative AI advancements pretty heavily over the last two years for two major reasons. One, the technology is becoming inextricably linked to the software we use to edit photos, and two, it simultaneously represents an existential threat to the art of photography. [Read More] petapixel.com »
New research could completely change how people use night vision technology.
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A new TikTok video trend sees users mocking street photographers and how they approach people to pose for photographs.
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Photo stock agency Dreamstime is tackling copyright infringement by attempting to "educate" violators in the hope they will become legitimate customers. [Read More] petapixel.com »
There's never one approach to street photography. That's what makes the genre so beautifully diverse. Naturally, when there's so much diversity, it opens the door to differing opinions on the right or wrong approach to a certain craft. thephoblographer.com »
Photographing insects in the field demands higher shutter speeds, a steady hand, and a smaller aperture to ensure sharpness. On warm summer days, insects are mobile and easily found. However, they provide minimal opportunities to carefully compose an image – they are too busy flying, feeding, and living life. Choosing a complementary background for the […] petapixel.com »
Perhaps the greatest dream of most nature photographers is the idea of crafting a living off print sales alone. All across the internet are stories of individuals making hundreds of dollars off each print, leading to yearly sales of six figures or greater. petapixel.com »
When it comes to landscape photography, any photographer specializing in the genre can tell you just how difficult it is to make any sort of income. Stock photography – once a mainstay source of income for landscape photographers – has almost come to an abrupt stop, given the sheer number of photographs being submitted throughout […] petapixel.com »
Canon News has uncovered a very interesting patent by Canon. This one looks at potentially replacing the modern shutter button as we know it. … Read more... canonrumors.com »
Consider this: think like a painter. Painting is basically an additive process: the painter adds paint to a canvas. Photography is basically subtractive: the photographer, through careful composition and cropping (or cloning in the digital darkroom), subtracts unwanted or distracting elements from a scene to create a vision — or impression — of a scene. […] petapixel.com »
When we speak of food photography, we immediately think about how each shot should make the viewers salivate at the food or feast they're looking at. But as with any genre, being experimental and looking for unique ways to work with it pays off. thephoblographer.com »
If you were to check out the work of photographer Kevin Mullins, you'd immediately fall in love with his classic documentary style approach to wedding photography. He tells the Phoblographer that he draws influence from photographers like Jeff Ascough and others. thephoblographer.com »
In this beautiful short film by filmmaker Vincent Urban, photographer Chris Burkard tells the story of how after growing weary of surf photography in crowded cities he sought solitude, adventure, and beauty in remote places. petapixel.com »
I really dislike it when photographers aren’t treated with respect for their time and talent. Sadly, it happens way too often. Photographer Justin Rosenberg recently fell into this situation. petapixel.com »
The time-honored approach to improving one's photography has always been time spent out there taking pictures. Education, gallery shows, and reading photography books can do wonders for a person's development, but there is nothing that comes close to the importance of just going out there constantly for a long period of time. thephoblographer.com »
There are typically two extremes to street photography approach: one being completely stealthy and ninja-like to capture spontaneous, unposed and original moments happening on the streets as if the photographer was merely observing without active interaction (eg Henri Cartier-Bresson), as opposed to straight in the face, direct confrontational approach (eg Bruce Gilden). thephoblographer.com »
